kategorie: favoriten ×

  I want to be­gin this re­fu­gee se­ries with...

hu­man­sof­ne­wyork:

I want to be­gin this re­fu­gee se­ries with a post from the sum­mer of 2014. This is Mu­ham­mad, who I first met last year in Ir­aqi Kur­di­stan. At the time, he had just fled the war in Sy­ria and was working as a clerk at my ho­tel. When war bro­ke out, he’d been stu­dy­ing Eng­lish Li­te­ra­tu­re at the Uni­ver­si­ty of Da­mas­cus, so his Eng­lish was ne­ar­ly per­fect. He agreed to work as my in­ter­pre­ter and we spent se­ve­ral days in­ter­vie­w­ing re­fu­gees who were fle­e­ing the ad­van­ce of ISIS. As is evi­dent from the quo­te be­low, I left Mu­ham­mad with the ex­pec­ta­ti­on that he’d soon be tra­vel­ling to the United King­dom with fake pa­pers. I am retel­ling the sto­ry be­cau­se I have just now re­con­nec­ted with Mu­ham­mad. He will be working again as my in­ter­pre­ter for the next ten days. But the sto­ry he told me of what hap­pen­ed sin­ce we last met is tra­gic.


Scho­pen­hau­er ex­plains how to deal with the so­cial web. (h/t @m_clem) pic.twit­ter.com/HQheoM7jap

Bri­an Pa­trick Eha (@bria­ne­ha26.09.2015 20:31


Bet the CEO of Volks­wa­gen wis­hes he'd fi­nis­hed that Bloom­berg What Is Code is­sue now.

Dan Hon is ty­p­ing (@hond­anhon26.09.2015 1:44



Ger­man en­gi­nee­ring in da house, ya you­tube.com/watch?v=11LguH…

Ole Reiß­mann (@oler24.09.2015 13:30


#pro­gress #ber­lin­art #art #por­trait #mo­tel #pain­ting #in­sta­art #oi­lon­can­vas #oil­pain­ting #öl­ma­le­rei #ma­le­rei #fi­gu­ra­ti­ve #rea­lism #stu­dio

ka­tia (@ka­ti­as_bil­der24.09.2015 20:05


@stadt_bild at @ber­li­ni­sche­ga­le­rie

Erd­na Re­gürk (@and­re­krue­ger24.09.2015 23:50


To­day: Nee­ded a cab. No black cab around. Down­loa­ded Uber app again. Set up new ac­count. Scan­ned cre­dit card. Loved the ease of that. Or­de­red car. Dro­ve away. All wi­thin 5 mi­nu­tes - from rea­li­sing I nee­ded a cab, to set­ting up that ac­count and sit­ting in a car.
Last week: Tried to sub­scri­be to the di­gi­tal edi­ti­on of a lea­ding news­pa­per. Gave up af­ter 9 mi­nu­tes.
E-Com­mer­ce is an art form, not a side job.

Wolf­gang Blau 22.09.2015 12:31


über rat­ten, whis­ky­tastings und ga­le­rie-as­sis­ten­tin­nen in 10cm high­heels: ka­tia­kelm.de/blog/2015/09/2…

ka­tia (@kne­tag­abo22.09.2015 8:20


#bosch­hol­ding­hands with #evaa­de­le. Of cour­se this was my per­so­nal @ber­lin­art­week high­light.

An­dré Krü­ger (@bosch21.09.2015 10:05



  Yum­my

Mar­kus:

 


Folks on iOS 9 can now block the loa­ding of all web fonts with one set­ting. Make sure your site looks gre­at any­way. pic.twit­ter.com/1A4oe6iTDO

Jen Sim­mons (@jens­im­mons17.09.2015 4:42


Whis­key­schor­le!

das­nuf (@das­nuf15.09.2015 21:38


  Still Bahn­hof af­ter all the­se hours.

drik­kes:

 Jetzt bin ich bei der Be­nut­zung von Own­Y­our­Gram mit den End­points für aut­ho­riza­ti­on und to­kens fer­tig ge­wor­den. Aber ir­gend­was scheint mit den mi­cro­for­mats nicht zu stim­men. Mal die­se, mal jene Feh­ler­mel­dung - viel­leicht fun­zen Pho­to-Posts mit mei­nem The­me nicht kom­pa­ti­bel. Das so kur­ze Er­klä­rung für den Cross­pos­ting-Spam auf di­ver­sen Ka­nä­len so heu­te um die die Mit­tags­pau­se. Da­bei habe ich den gan­zen Kram von we­gen In­die­web und Web­men­ti­ons noch gar nicht er­wähnt. Was mir aber kaum Wis­sens­vor­sprung vor Euch ver­schafft. Ich di­let­tier hier mit copy/pas­te Code­schnit­zeln rum, mal wie­der in­spi­riert von wir­res.net/. Er­klä­ren kann ich das über­haupt nicht.



die na­men bei von künst­lern ku­ra­tier­ten grup­pen­aus­stel­lun­gen äh­neln auch im­mer mehr de­nen, die von der deut­schen bank ku­ra­tiert wur­den

ka­tia (@kne­tag­abo12.09.2015 18:42


horst see­ho­fer-for­dert.

kat­ja­ber­lin (@kat­ja­ber­lin12.09.2015 13:28


An­yo­ne else ner­vous­ly che­cking their pho­ne for a On­e­Re­pu­blic al­bum?

Pin­board (@Pin­board09.09.2015 22:20


  Mr. Ro­bot

 A com­pu­ter pro­gramm­er working for a cy­ber-se­cu­ri­ty firm is re­crui­ted by a shadowy or­ga­niza­ti­on de­di­ca­ted to the de­s­truc­tion of cor­po­ra­te Ame­ri­ca.


  Halt and Catch Fire

 A trio of re­ne­ga­de te­chi­es in 1980s Te­xas launch a ris­ky pro­ject amidst the per­so­nal-com­pu­ter boom.