River











Applied to social media, this vision suggests that rather than give the user only a feed (a single path through the world of in­for­ma­ti­on), we should give the user access to a whole network of trails (in­ter­con­nec­ted paths through the world of in­for­ma­ti­on).




mike masnick:

But, as Godier’s piece notes, protocols are… boring. They change slowly (for a good reason, because you need stability to build on). They tend to change by consensus, which is messy. And rather than having billion dollar companies throwing a whole massive en­gi­nee­ring team at making ever­y­thing work, in the protocol world, we rely on constant ex­pe­ri­men­ta­ti­on by anyone who wants to ex­pe­ri­ment.

tim trautmann:

The open web of the nineties didn’t win because the tools were better. It won because a critical mass of people decided that the al­ter­na­ti­ve, a handful of AOL-style walled gardens choosing what everyone saw, was not the future they wanted. Then they built their way out of it. Slowly, un­g­lamo­rous­ly, in rooms that looked a lot like this one.

Whether atproto ends up being the thing, or a stepping stone to the thing, I don’t know. Nobody in the room claimed to know. But the work is real, the apps are shipping, and the people building them are taking it seriously without taking them­sel­ves seriously. That com­bi­na­ti­on is rare, and his­to­ri­cal­ly, it’s the one that wins.






Formel 1 2026 (S2026E07) gesehen

lewis hamilton gewinnt verdient, trotzdem ziemlich lang­wei­li­ges rennen, bis auf das über­hol­ma­nö­ver von antonelli in letzter minute. auch wenn ihm das nix gebracht hat, weil es seinem auto zu heiss wurde.



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andrew von @the­ar­tof­stirytel­ling erklärt nach­voll­zieh­bar warum manche ge­schich­ten von star trek zeitlose klassiker sind, die in der oberliga der er­zähl­kunst mit­spie­len. und in einem 5 sekunden-schlenker zeigt er auch, warum das bei den aktuellen in­kar­na­tio­nen der serie oft nicht mehr funk­tio­niert: die funk­tio­nie­ren oft deshalb nicht, weil sie die mo­ra­li­schen konflikte zu of­fen­sicht­lich und zu eindeutig prä­sen­tie­ren. gute ge­schich­ten fordern ihr publikum heraus, indem sie nach­voll­zieh­ba­re ge­gen­sät­ze zeigen und die grenzen zwischen richtig und falsch ausloten.